2015 Feed

Is Digital Resistance Ultimately Futile?

EquityPIPAHangoutBanner
This is about WORK / LIFE balance. What what???

We are all familiar with work and its lovely if it comes hand in hand with pay but 'life' and 'balance' are trickier beasts to lure. Have you had your future changed by the career path you chose? Do you have children? Did children never happen? Did you ever think children would be part of your future? Has having children changed the way you are perceived in the work place? On 28th September Equity hosted a meeting to discuss the event and the new campaign. From the table discussions its seems certainly a YES that many parents are seen differently post child arrival.

PIPA_Equity hangout
Stagemanagers - PIPA meet up

LEFT: photo taken from a remote access location showing the view of the online host.

Providing attendance options other than traveling to venues, especially for meetings that take as long to travel to as the event duration itself is a digital reality with the state of current social technology right now.

As an advocate of 'making good use of the things that I find' hence my other online persona; The Social Media Womble, it is Google's suit of apps that holds great promise especially for collaboration and cross compatibility of most existing mobile and desktop technology hardware.

Google Hangout is Google's video chat and meeting app. For the PIPA Equity Info meeting this facilitated 2 connections with 9 participants (7 at the venue and 2 remote connection visible just within the shaded lower title box in the photo to the left)

Over the last year I've hosted Hangout to run along side Equity events and meeting as well as a series of sessions called 'Meet The Moderator' inviting Online Branch members to login and share their hopes, frustrations and expectations regarding Equity's online and digital offering in an attempt to conceptually establish an online spacial presence where members can meet and connect both socially and for industry sector knowledge insights.

Can we let go of our physical necessity to attribute meaningful experiences to 'being there'? Can we envisage participating remotely with each person being physically located not where the experience is unfolding and recognise the collective propinquity of 'taking part'? Is the disappointment of not being somewhere or the envy of physical experience a human factor we can ever over come?

I proposed a remote audience access option where this Hangout (see photo above) was part. After all the nature of parenting often exclude mums and dads from attending events directly because of childcare responsibilities. The mind set of the venue technical staff closed down the possibility of this being realised at the launch on the 16th resulting from the misleading self determination of the potential of modern social technology provision offered by practitioners such as myself.

I have host live theatre livestream with chat rooms running and been delighted to discuss with viewers the experience of one lady watching theatre while stroking her cat sleeping on her knee, And a couple watching from home with their newborn sleeping soundly. These audience experiences touch me deeply and as a theatre practitioner audience stories in the age of social are what drives every social media platform from Twitter and Facebook to Yelp and YouTube.

It is all to easy to focus of capacity for box office break even but what about the reason we create and perform? To entertain and inform. As a technical arts practitioner and stagemanager I delight in providing access being to the suspension of disbelief on stage with props, lighting or sound to the facility to open the production doors wider than ever before and welcome in the digital viewers and provide more than marketing or web design but a hosted social experience where attending from home or remotely organised satellite event can be as meaningful and being a 'bum on a seat'. 

PIPA - Parents in the Performing Arts Campaign Launch

16th October at Young Vic Theatre, London

Website: http://www.pipacampaign.com/

Manifesto: http://www.pipacampaign.com/manifesto/

Twitter: http://twitter.com/PIPAinfo

Equity Childcare Motion at TUC 2015: http://www.pipacampaign.com/equity-childcare-motion/


Networking Adventure - Leicester Digital Exchange - Oct 2015

On Wednesday 7th October 2015 I went to my very first networking event since relocating to Long Eaton. Held at Leicester's Exchange Bar on Rutland Street in the heart of the Cultural Quarter. I made my way on train which was super easy only being a 5 min walk from the station.

I wasn't sure what to expect as I've become rather jaded when it comes to networking events if I'm honest. It was a useful evening, lots of talk, lots of buzz, a good range of digital business types with varied interests which for me can be a bit overwhelming so I stepped aside to reflect ...

check out my AudioBoom - http://bit.ly/leicdigiex01

 I did ask my self 'Why was I there?' to which I answered, 'to build new connection and perhaps find some consultancy work.' It was only after my podcast reflection I realised I was credibly a blogger and enjoy making media to share, especially when once the event is over its never to be repeated.

There may be future events under a brand banner but the circumstances and people attending will never be repeated. This was the launch of Leicester's Digital Exchange and as I had by vlogging stuff in my bag I ask Lead Organiser Ann Stanley MD of Anicca Digital I was interested to know why the event had been conceived and what drive was behind its delivery. Ann answered all my questions with passion and future vision. These Digital Exchange meet ups are going to be monthly. There is also E-Commercial - Ecommerce Marketing & Technology Conference on the near horizon (Nov 3rd) taking place At Curve in November.

Here is my video posted to my YouTube channel

LeicDigi LOGO

Check Out

Leicester Digital on MeetUp.com http://www.meetup.com/Leicester-Digital-Exchange/

Leicester Digital on Linkedin https://www.linkedin.com/groups/Leicester-Digital-8383261/about

 

Thank you Ann for sitting down to chat.

VIEWING PLEASURE NOTE!

I never like suggesting how to watch a piece of media, it shouldn't be necessary but... if was suitably and cosily casual in the Exchange Bar's cellar and the lights were low. Probably best watch smaller rather than larger on your screen. Also, to stop me over producing regards the edit there are no titles or incidentals to keep the piece simple. After all I keep telling myself its the sharing of the media that matters.

Enjoy - Hope to see you at a future Leicester Digital Event


PCM rebooting

Rebooting my PCM... In Conversation web series for YouTube. Skype chats where we provide our tipple of choice, I provide the initial chat outline, we make a video episode all about your latest endeavour. Let me know if you'd like to be a guest. First recording 19 Oct with Kate Kavanagh @BustingFree

Check out this last chat. I'll be putting the previous episodes on my YouTube Channel in the next few weeks.

PCM ...in conversation - with Dori Kirchmair

more to come....

 


Hootsuite and Tweetdeck just don't cut it.

This is massively overdue post but with the assistance of screen clipping tool Skitch I think I'm ready.

Ok, context first

I have been live tweeting at events since 2008 and its always been a conversation and connecting tool. Who is in the room and who is not, is important. If you are not its quite nice to see photos of the speakers but all the 'hey look at me, don't you wish you were here too' photos and who's up next tweets... STOP! 

Thats a bit hash...  what I mean is they are great for 'your' networked audience but the audience following the hashtag IMHO want what all the 'on the ground' audience want, to learn from the wisdom of the programmed speakers, draw insights from discussions and panel plenaries. Oh and network.

OK So photos are welcomed to put the 'in the cloud' audience in the picture. For us in the digital audience its a common frame of reference to be able to empathise with the activities you are participating in at a distance online. If I'm commissioned to tweet my objective is to visualise the audience as a whole within the twittersphere and communicate with them. Present or remote isn't important. My challenge is always to generate a coherent stream of activity, a stand alone stream containing all reverent content, chatter, user generated media and the official event voice. I am not necessarily the 'official voice' but the conversation laser's focus operator!

Now... I'm getting to the point I promise! Networking conversations 1-2-1 are part of the experience at any conference but most of the time it's dialogue between groups or one person introducing two people to one another and is rarely binary back and forth ie @name to @name. 

There is a dialoging feature which was present in the pre twitter ownership days of Tweetdeck that made my role as connector and stream curator easier. It disappeared and never came back. 

Here's how it works - I have found a little known Tweetdeck alternative, Janetter that has the feature.

Its about responding to multiple people in one tweet in the click of a mouse, logically compiled as I, the curator reads the activity in real-time. I hope these screen shots illustrate my point.

First the tweets and colleagues I wanted to engage.

Mozilla Twitter Column
Tweets from my Firefox side panel column displaying Twitter

 

It was responding to them that helped me break down the long felt frustration of the missing feature in to a blog. So thanks Kate and Jen if you read this. Do let me know how your trips to Edinburgh turned out.

Anyway...

Kate @BustingFree and Jen @jennifermjones are not in the same networks as far as I know. I met Jen several times after she attended MediaCampNottingham and, forgive me if I'm wrong Jen also as part of the Amb:IT:ion program roadshows. Kate on the other hand sat on Equity's Independent Theatre Arts Committee with me for several years and I follow because she had the awesome idea of building a theatre in a bus. Both are always interesting reads and following their activities on twitter over the years gives me a sense of where they are at professionally always wanting to find time in my calendar to coincide locations to meet up. I remember a time when everyone I knew were numbers in my mobile phone now in the social media age they are status updates in a constantly moving stream of activity, my home twitter feed. Better but thats another post. I digress! This is about illustrating this lost feature.

Bare with me! It is a long lost feature and you are probably nonplussed by my indignation. I want to communicate when d0ing this dynamic dialoging at events and not have to faff with the interface.

Best way I could think to illustrate my point was with screenshots.

Original Tweets in Tweetdeck

TweetDeck
Tweetdeck
TweetDeck Reply
Hitting Reply to Kate

 

Clicking the Reply icon creates a message to either Kate (above)

 

TweetDeck relying to Jen
Hitting Reply to Jen

OR Clicking the Reply icon on Jen's tweet
I can send send a reply to Jen (above)

It never used to be this way you could build replies.

Yes I can Reply by typing/pasting both @names into a new tweet or hope the autocorrect offers them up to me. But on the fly, in an event thats not really an option. I did explore Hootsuite for this 'reply building' feature and I had resigned myself to its absence. It changed the way I tweet. So what happens in Hootsuite? (it was this reply building feature that led me to favour Tweetdeck over Hootsuite back then)

Original Tweets in Hootsuite

Hootsuite
Tweets displayed in Hootsuite
 
Hootsuite
Hitting Reply to Kate on Hootsuite

 

Hootsuite screen shot
Hitting Reply to Jen on Hootsuite


Just as before with Tweetdeck I'm forced to reply to one person at a time. As I'm writing this it seems so minor but it fundamentally changed the way I interact with Twitter. I like Twitter less since the change happened and I have bemoaned its loss ever since. I kept an old install of Tweekdeck to keep this feature but finally it was closed down and the browser based version we have today superseded it. 

OK... THE FEATURE

I discovered a little know, or so it seems twitter client called Janetter.

Original Tweets in Janetter

Janetter screenshot
Tweets displayed in Janetter 
 
Janetter reply building screenshot
Hitting Reply on Kate and Jen's tweets


With Janetter clicking a reply icon builds on the tweet being composed, it included all the other @names in the tweets and the hashtags. These replies can be from different columns or accessed by scrolling further down the stream. Once all the @named people are included you can tidy up the hashtags, remove any @names you don't need in this tweet and write the tweet... of course then SEND.

And thats it the missing feature.

Another unique (a word to use with caution but I haven't seen else where) is the ability to change the font used in the app. This means the OpenDyslexia font can be used making it super stable visually for me to read.

So... What do you think?

Do you use Janetter too? 

Have I missed another platform, tool or service you think I should look at?

 Apps

image from cdn.appstorm.net
Janetter
image from screenshots.en.sftcdn.net
Tweetdeck
image from hootsuite.com
Hootsuite





Tools: Email Tracking Power Tools

Streak_ident

I use Streak to track emails. Knowing an email has been opened is a great relief. Especially those crucial job or project proposal applications. Its not fool proof as it works by including a tiny pixel image which is requested from a server when the email is opened. So if images are turned off or other settings to prevent that data exchange are in place... well they don't want to be tracked! If all is well the following data is available. A notification pops up too when the email is opened. Very reassuring.

Post_July_Meeting_Action_-_BuyOuts_etc__-_pcmcreative_gmail_com_-_Gmail

Check it out I love it - https://www.streak.com/

Now on the surface it's quite complicated and when I was tracking down the info to blog this, the "CRM in your inbox" tagline made me grimace slightly. I realised that I only use the free bit, the inbox power tools so if you want to explore the CRM stuff go for it, but if like me you just need the email power tools. Yippee!

Install the extension, reboot Chrome, reopen Gmail and look for the orange Streak icon top right in the Gmail window. If it's there its running. Thats it. Next email you send a green eye should appear in the far right of email's data line.

Inbox__32__-_pcmcreative_gmail_com_-_Gmail

This is a Chrome browser extension

Streak_-_CRM_in_your_InboxLike it? Let me know. Comment below.

 


.Lazy Tweeting - that preceding fullstop. #StopIt

image from www.gigashots.com
Once upon a time Twitter was a stream trickling through the cracks of cyberspace. Its now a tidal river opening out into a vast ocean of commonly refered to as The Twittersphere.

Time was, when who ever you followed on Twitter pulled in all the activity of that tweeter this included all @ messages from those they followed. This full circle conversation visibility make joining conversations very easy with context of who was talking to who. It also helped building your follow list. Which in turn would broaden and enrich your twitter stream. That early day's dialogue has long since gone. It feels much more window-like than door-like these days. But that's the  pitfall of successful growth it seems.

So this fullstop adoption/affectation

Then a day came when the buzz was too much and tweets with an @ name became only visible to the person the message was intended for. To continue public dialogue the full stop was inserted as a fudge to prevent the exchange being exchanged only between the intended recipient and other @ names in the tweet.

So it has a purpose but why am I wanting it to stop?

Used as it was intended it announces to the twittersphere a comment you want everyone to see but it is a mechanism for the lazy construction of a well crafted intentional tweet.

Before I continue... adding the full stop prior to an @ name other than at the very start of your tweet shows your misunderstanding of the twitter vernacular and convention, do it and claim to be a 'pro' 'expert' or 'guru' and you will show your true shade of b*ll*cks

So full stop, How to combat it prevalence and pointlessness.

Stephanie Drakes of DotSocial explains it fully in her January 2015 post - Twitter Tips: Why add a full stop before an @mention on Twitter 

I'm using her examples to illustrate the alternative ethos (ie, using the dot) for audience dialogue and adding it for your message recipients... but is it necessary?

@dotsocialise thanks for the great #socialmedia tip

This message is thanking Stephanie for her great tips.

.@DotSocialise post great #SocialMedia tips

This message is about Stephanie but not really intended for her, the rhetoric dot! Seen by all but doesn't look good good on the eye! Better would be...

Great #SocialMedia tips from @DotSocialise.

This message is being addressed directly to your followers, your audiences yet still credits the source of the 'greatness'.

So when could you use the dot?

A superb example of the rhetoric dot - this is most certainly an about someone, not to them tweet!

I saw this tweet from Owen Jones as I was writing this post and it's only quoting for context, a tweet from Owen that I would EVER configure letters to convey 'that man' in any writing I do. Why does Owen get this license? Check out his Politics of Hope talk (audio) from this years FutureFest.

 image source: Gigashots


Social Media for Stage Production

 TOP 10 platforms, tools and services essentials for your 2014-15 toolkit

previously posted on socialmediawomble blog - Aug 2014

SJPTheatreHandbook14-15frontcover

Last year I was asked to write an article for the 2014-15 publication of the Theatre Careers Handbook.
  • Discovering Digital
  • Pilot Theatre, Second Life and Live-streaming
  • Paper and Show Time 
  • Going Social - Media, Networking and associated Technology
  • Social Media
  • Social Networking
  • Social Technology

This article has been written for SJP by freelance digital projects manager and collaboration coordinator at PCMprojects, Caron Lyon. Caron has created professional social networks for Arts Council England, the Federation of Entertainment Unions and Audiences Europe. http://www.pcmcreative.com/social-media-consultation.html  
 
In 1994 I graduated as a Stage Manager from Bretton Hall gaining a Bachelor of Arts Degree in Theatre Crafts. A year later the course had been renamed to Theatre, Design & Technology. The course hadn't changed but the predominance of specialisms (lighting design, sound engineering) and the emergence of technology (computerisation, projection and automation) was to irrevocably change the skill set and necessary knowledge foundation demanded of production and technical teams with in the entertainment industry. Twenty Years later its 2014 and it’s the Stage Managers turn to advance and profit for the shifting change.
 
As a Stagemanager I worked throughout the UK in Sub Rep (Leicester, Sheffield & Chichester), Toured to No1 touring houses, arts centres, village halls and outdoor venues nationwide, spent a season at Butlins and several years in London Fringe performance spaces gaining experience as Stagemanager, DSM, ASM and production assistant. I operated lights, sound, called cues, acquired props, paged doors, assisted with costume changes and relit shows.
 
Analog has given way to digital. Bluetooth, Wireless, Wifi and Mobile are not only common place but getting 'smart'. Production's can be operated after being intricately programmed and increasingly automated to such an extent that manual involvement is the pressing of a button. Design, Creation and Operation are distinct roles. Human decision making, timing, planning, judgement are still the realm of stage management and the digital shift has taken place around them.
 
In 2002 I found myself needing to move sound effects to MiniDisc from a computer after downloading from the Internet. This began my journey, 'phono to USB' that was to lead me to discover Social Media, in awe of how pre production and rehearsal communication was going to benefit, how staying connected after a contract ended would become a firm reality. I could see props resourcing and production promotion changing forever. 
 
Discovering Digital
Producing paper props was my first encounter with IT using photoshop and paint packages in the late 90’s. I had been using an electronic typewriter and photocopier to write up and distribute rehearsal notes and company calls. The notice board and the pigeon hole post was ‘the’ most effective and accepted method of communication.
 
It wasn't Facebook and Twitter that excited me but Email then Dropbox, Evernote and Bambuser. The ability to share notes with out printing, being able to make changed with out re-printing, recording live and have a live reactive audience. I didn't get my first email address until 1996 social was along way off. Facebook and Twitter weren't in my tool set until 2007. I hadn’t sent my first instant message until 2006.
 
Pilot Theatre, Second Life and Live-streaming
 
After several years re-training as a web designer in order pursue a creative career and to make it possible for me to live at home. My heart always lay with theatre and performance, the internet opened up a new world of resources. For a short time I worked on an R&D project with Pilot Theatre as their Virtual Stagemanager in Second-Life exploring the capabilities of virtual exhibition space and a pre-production audience engagement arena. Facebook emerged on the scene as an audience engagement location. Not many of my colleges had even heard of Facebook. I was plunged in to Twitter after being presented with this online tool as a team communication tool, it was the digital water cooler for chatter, links, notes, messages and questions. I discovered a community of digital pioneers at ease with this new teamed up social interaction making me feel at the time I had missing the party invite and was playing catch up. 
 
I now realise its like that for everyone when social media makes it on to their radar. Social Media has exploded in to society's consciousness and has quickly produces a generation with no memory of a world before the web and even more recent a generation with no memory of a world before Facebook. That has happened not in my lifetime (I’m 40) but in 20yrs, that's just half of my life time. How long before there is no generation with a living memory of a world without the internet?
 
2014 is set to be dominated by 'the Internet of Things', affordable 3D printing is on the verge of becoming the next big phenomenon yet for many in the theatre industry the age of social media is still a baffling trend many hope will disappear as a fashion fade.
 
The influence of Social Media on stage production is its use to communicate, inform, record and document. In pre and post production social media platforms, tools and services excel. Theatre is a collaborative process. Theatre people especially the production creatives including StageManagers are inherently good at 'social'. Communication is a key talent. The pre Facebook generation are at ease with the tools they need to do their job, up skilling and adapting with necessity. 
 
QUOTE - Peter Hall
"Perhaps, therefore, ideal stage managers not only need to be calm and meticulous professionals who know their craft, but masochists who feel pride in rising above impossible odds." 
 
Paper and Show Time 
As the Peter Hall quote eludes Stagemanagers need to be calm and meticulous professionals. This also means in this connected digital world being confident that the infrastructure is reliably operational. A clipboard and paper will never run out off power. Multiple copies can be cheaply reproduced and positioned at locations of choice. Only transfer to powered devises with the certainly you will always have access and enough battery remaining.
 
Quote - Marcus Romer
"Don’t add technology to the way you do things, Change the way you do things when you know what the technology can do"
 
Going Social - Media, Networking and associated Technology
 
Many production areas and career professionals in theatre can benefit from the application of the many social strands available online. 
 
Here are the 7 I work to develop with organisations and industry professionals. It is vital to acknowledge the bigger picture.
  1. Industry Connections and Job Seeking
  2. Company Management & Coordination
  3. Staying informed
  4. Career Development
  5. Promotions and Funding
  6. Measuring relevance and influence
  7. Production Collaboration 
The greatest hurdle to adopting digital working is the access to compatible technology, reliable internet connectivity and an accepted set of platforms with best practice procedures to gain access in place. Stagemanager, Company or Production Manager can be at the heart of this digital nexus adopting a digital toolkit, embedding process, documenting and determining accepted best practice and taking the the collaborative lead.
 
Social Media mastery is a career skill asset.
 
TOP 10 platforms, tools and services essentials for your 2014 toolkit
Social Media
Photos, Audio, Video, Text shared via links posted to media specific platforms
 
Instagram is a fun and quirky way to share your life and work with digital platforms through a series of pictures. Snap a photo with your mobile phone, then choose a filter to transform the image, tag it and post it. The team at Instagram imagine a world more connected through photos. 
 
AudioBoo - http://audioboo.fm
Audioboo is a tool for audio producers to record, upload and share audio. The Audioboo team believe in the power of the spoken word to inspire, inform and connect people across the globe.
 
A ‘boo' is made up of any clip of audio, a picture, a location, a title and a description. Broadcasters, Newspapers, Sports networks, Podcasters, Educators and Community Organisations all use ‘boos' to increase audience reach. They can easily share audio on Facebook, Twitter and other platforms, embed playlists onto their sites as listen again players. Audioboo also have a highly active and engaged visually impaired community for whom the platform functions as a social network.
 
Bambuser - http://bambuser.com 
Bambuser is a simple-to-use live video streaming service that allows users to quickly and easily capture, share and watch live video broadcast from mobile phones or computers. Bambuser also enables instant sharing to the world's favorite social networks including Facebook, Twitter, Tumblr, and many more 
 
 
Social Networking
Establishing, maintaining and developing opportunities via online platforms
 
Facebook - www.facebook.com
Facebook's mission is to give people the power to share and make the world more open & connected. 
 
LinkedIn is the world's largest professional network with 225 million members in over 200 countries and territories around the globe. Their mission is simple: connect the world's professionals to make them more productive and successful. When you join LinkedIn, you get access to people, jobs, news, updates, and insights that help you be great at what you do. 
 
Twitter helps you create and share ideas and information instantly, without barriers.
 
Forums and Industry site members areas are also an excellent source of networking for sharing best practice, advise and job vacancies.
 
Social Technology
Tools and Applications available providing connectivity for the whole company to a central data resource enabling real time notifications and updating of common documents. (production schedules, rehearsal notes, setting lists, cue sheets, research, company calls etc)
 
Dropbox - www.dropbox.com
Dropbox is a free service that lets you bring your photos, docs, and videos from anywhere and share them easily. Dropbox was founded in 2007 by two MIT students tired of emailing files to themselves while working from more than one computer. Today, more than 200 million people use Dropbox to always have their stuff at hand, share with family and friends, and work on team projects.
 
Evernote - www.evernote.com 
Evernote’s goal is to help the world remember everything, communicate effectively and get things done. From saving thoughts and ideas to preserving experiences to working efficiently with others, Evernote’s collection of apps make it easy to stay organized and productive.
 
Google Drive - http://drive.google.com
Google Drive lets you store up to 15GB of your stuff for free, access them from anywhere, and collaborate with others. 
 
GroupMe is the best way to chat with everyone you in your company or working on your production. It's absolutely free, whether you're talking to a department, or texting with one person. Best of all, it works on nearly every phone, via push or SMS. With GroupMe, it's easy to reach anyone, anytime, anywhere. 
 
For further insights into developing your toolkit and skill set register for PCM & SJP associated workshops and surgeries planned for 2014-15. http://bit.ly/sjppcm14
 
 
 

Lots of Twitter activity at your event? HowTo - Storify it

image from www.gizbot.com

Platform / Service Websitewww.storify.com

Available on Desktop from a browser and it has an app for iPad.

 The screenshots in this post have been captured and annotated using Skitch

Storify it - Share it - Embed it 

Sign up for FREE Storify account.

Storify_·_Make_the_web_tell_a_story

 

Sign_up_to_Storify

Once you have signed up I recommend finding the account settings and completing your profile, adding a photo and cover banner. Storify doesn't have an internal platform community it's a platform tool, but readers can follow your account and like-wise you can follow storify publishers.

What is useful is the profile URL. This is mine - https://storify.com/pcmcreative

Its not compulsory but it makes you look professional in the eyes of your audience. First impressions do count. Let your content speak for you not the neglected, incomplete profile pages. 

(aside... I also dislike badly cropped avatar images. There is no excuse for
butchering your branch graphic or having a badly framed head-shot...
check out browser based image editor Pixlr)

But if you are in a big rush to create your first Storify go ahead and click the 'New Story' button.

Caron__CJ__Lyon_s_social_stories_·_Storify

The Storify interface is nice and clean. Not too fussy but it does contain lots of features mainly to help you bring in content from a wide range of social media platforms.

In this post I'm just looking at finding media from one event posted on Twitter using the Hashtags #ARC15, #ARC2015 and the keyword EquityUK.

Storify Basics... title, description, Social Media source, search term, refinements, build your Storify.

Editing__Equity_ARC_2015_in_Pictures__·_Storify

Use the 'Insert' button for adding headings, text boxes and horizontal rule lines to divide sections in your narrative.

Editing__Equity_ARC_2015_in_Pictures__·_Storify

The simplicity of Storify's click, hold, drop and drag mechanic, left column to right, click and hold on media element, dragging up and down, placing items above or below one another is so easy. Do remember browser based apps can become unresponsive due to the nature of the internet connection you are using while moving graphic elements around. If the platform stops fully responding to your clicks and drags - pause, check the project has saved (that status displays beside the Publish button) and refresh your screen. Better loose a little than loose the lot.

Editing__Equity_ARC_2015_in_Pictures__·_Storify

The screenshots above show searching and adding elements from Twitter. Creating a Storify of this event in pictures was the aim. Media can be collected from lots of other sources. Even individual URL's (universal resource locators) like the .jpg graphic being inserted shown below.

Storify accommodates (and a few others)

  • Soundcloud
  • Facebook
  • Google+
  • YouTube
  • Flickr
  • Instagram
  • Google Searches
  • RSS feeds

There are lots of platforms, tools and services for media capture especially. I tend to favour ones that easily integrate with and offer sharing to the major audience focused platforms (Twitter, Facebook, Google+) and platforms such as Storify do that brilliantly while making media accessible when telling your story.

Editing__Equity_ARC_2015_in_Pictures__·_Storify

Once all the media elements / assets are dragged where you want them its time to curate the storyline of your project. Dragging further than one element up or down can get tricky as your screen scrolls by while you look for the location to slot in an element you want to relocate. The Reorder optional view makes rearranging a lot easier.

Editing__Equity_ARC_2015_in_Pictures__·_Storify

Very quickly you can have a document for publication. Look at the draft preview before publishing.

Editing__Equity_ARC_2015_in_Pictures__·_Storify

All done... you can add more elements at your leisure.

Editing__Equity_ARC_2015_in_Pictures__·_Storify

The next step and a reason why I love Storify is being able to notify via custom tweets the people who have contributed to the story you have pieces together. Storify finds all the twitter names and helps you share to those who will want to share it too.

Effortless, contextually relevant, content rich, audience exposure.

Equity_ARC_2015_in_Pictures__with_images__tweets__·_pcmcreative_·_Storify_and_Evernote_Premium

Equity_ARC_2015_in_Pictures__with_images__tweets__·_pcmcreative_·_Storify

Being able to embed your Storify projects, just as you can from YouTube, is another great feature. Embed your Storify on your website or in a blog post.

Equity_ARC_2015_in_Pictures__with_images__tweets__·_pcmcreative_·_Storify

This is how the embed code was inserted in to this post. 

Compose_New_Post_-_PCM_creative_in_action___Typepad

Compose_New_Post_-_PCM_creative_in_action___Typepad

 

Here it is...

The Embedded Storify - Equity ARC 2015 in Pictures


6 Things you might not know about in Twitter

This where you will be going...
 
Twitter___Settings
  
 
1. Settings - 7th item down - Show Tweet Translations 
 
Twitter___Settings
 
This setting is ticked by default, at least I have never knowingly activated it. Very useful for my Audience Europe Network account as the EU partners often tweet in their native languages day to day.
 
 
2. Settings > Mobile - 3rd item under My Phone - Sleep Settings
 
Twitter___Settings
 
This setting I recall turning on long ago. Its one of the early settings I remember thinking was very useful. I don’t get updates to my mobile devise between 2am and 8am. I'm a great advocate of being able to turn stuff off. (see also item 4!)
 
3. Settings > Find Friends - see screenshot
 
Twitter___Find_Friends
 
When new to twitter or any social networking platform it’s useful to start your audience with people you already know, especially if they are already established in your new network. Twitter enables you to search your email contacts for email addresses that match ones submitted by existing Twitter users.
 
REMEMBER: Not ever one uses the same email in social media networks. 
 
Twitter provides a management tool for you to manage who you chose to follow showing you who in your address book is Tweeting. And most importantly remove them if you wish from the twitter server. (follow link "manage the contact" at the bottom of the dialogue page, see screenshot)
 
4. Settings > Muted accounts > see screenshot
 
Twitter___Settings
 
Some people are prolific tweeters and you might find they drown out your new infant twitter stream.
 
Or you might be an established tweeter who sees one account dominate your stream on occasions.
 
Well you can turn them off if you don’t want to unfollow them. But if you want to hear from them again don’t forget to turn them back on! #WeAllKnowOne!
 
5. Settings > Applications
 
The screenshot below shows the application I has granted access to elements of my twitter account, yours will display the applications you have authorised over the lifetime of your twitter account. 
 
Twitter___Settings
 
 
It is also a good way to reflect on the platforms, tools and services you have signed in with Twitter that you have forgotten about. It’s probably advisable to revoke access to long since used platforms as you can’t know if the access is still possible. Thats just my thoughts. If you revoke access to a platform you use you will simply be asked to log in next time you visit the site.
 
 
6. Analytics (see top screenshot)
 
Twitter_Analytics_account_overview_for_pcmcreative
 
For a long time Twitter had no internal analytics so twitter stat sites were very popular and still are today providing a bewildering breakdown on your twitter and other social media platform audiences, personal usage and reach.
 
Twitter now has stats now too. Once you find it have a browse around its quite an extensive area. You’ll have a whole new top navigation bar to explore.
 
 
I hope there’s something new there for you.
 
 
 

What do I do?

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#OneOfMyHats

If I was employed in a traditional sense the job I did would come with a job title. It would be on my contract. I have been an Assistant Stagemanager, Deputy Stagemamager, Stagemanager, Technical Manager, Assistant Technical Producer. But now I'm not walking the path of traditional employment I find my roles being influenced more and more by emerging technologies. I still work with in teams who produce, but don't work on nearly enough theatre but using the skills and knowledge I learnt during my time in all my named job roles I offer my services.

Recently I have had to produce work evidence that I am eligible to stand as a candidate in the 2015 Equity elections. I'm wanting to retain my seat on the Stage Management Specialist Committee. I enjoy the unconventional approach I have to my work with adaptive work processes being key to providing services to each of my clients and employers. I don't have as many as I'd like so I'm always open to offers of a more traditional nature but here I am.... being asked "What do I do?"

I'm currently 'working' in a voluntary capacity on Equity's Online Branch. Since February I have been the Online Branch's Moderator and it has fallen to me to project manage the final beta phase of the development of the platform being labelled The Equity Online Branch. Its been quite a journey and has quite a legacy. I am using my stagemanager communication skills to tackle this project.

The best example of What I do, What I want to do, How do I make my living was the Oct 2014 Arts and Audiences' Digital Audience Experience (its a live-stream continuity studio event-team plugin) So that I used as the evidence of professional paid work.

I provided a picture montage, the invoice and the job spec. I was asked, Which bit was stagemanagement?" All of it I responded. When even my professional trade body doesn't understand the scope of the role stagemanagers get involved in as technology evolves in support terms I do despair. But I do get asked all the time.

#OneOfMyHats is as an activist / advocate for the industry trade union I have supported since joining in 1995. Equity. I am not paid for this but it does shape "What I do" and "How I make a living".

Fingers crossed I get re-elected... do check out my election campaign page if you are an Equity member.

Definitely get in touch if you'd like to know more about the Digital Audience Experience  live-stream continuity studio event-team plugin