2021 Feed

Do you?

Do you get enough sleep?

Last night after an angst ridden day juggling deliverables and deadlines I had a early night, exhausted after deflecting a panic attack with a few tears and a multitude of magnificent hugs.

Mindfulness... it’s the name of the game right now and I am enjoying the journey. 

I slept! 

I’m using an app called Reflectly. Is where the quotes I post come from. It’s pure mindfulness.

Simple, clean and usable.

Check it out - https://reflectly.app/


TEDx horizons

Over Christmas a LinkedIn message was received on the TEDx events in Nottingham group

Hello. I'm just looking to connect with people involved with TED, having set up TEDxRushcliffesalon in Nottingham. Best wishes, Amy

Amy has been running a TED discussion group in Gamston, Nottingham for the past 3 years. Those taking part recently discussed making it a Nottingham-wide group and the possibility of putting on a TEDx event in the future. 

TEDx events in Nottingham is something I’d like to continue.

Tonight was the first digital TEDxRushcliffesalon of the year. Two TED talks had been proposed and links sent a few weeks ago. The 1 hr zoom tonight was then a conversation informed by the talks.

Try something new for 30 days from Matt Cutts at TED 2011

The second selected talk The best stats you've ever seen from Hans Rosling at TED2006

If you’d like to be in the loop when the next event talked place contact Amy.
Here is the post I responded too.


Mindful reflection - today


Today has been filled with SparkArts Festival prep. The opening announcement was recorded today and a selection of children’s poems by 2 amazing young siblings sparky and fresh.

The afternoon was the weekly digital production meeting which focused on the festival launch on January 20th.

It’s a 30 presentation and 15 min Q&A. There will be 2 sessions, one for the Festival’s business, civic and corporate champions and one for the family audiences of the featured companies.
I have the coming days to digest and absorb the programme and meet the teams bringing each piece to life. 

Lots of work between now and mid February. Pace and prospect.

Breathe and goodnight x


#ACMC21 - Dates in the Diary - pt2

Arts & Cultural Management Conference: Revisiting Boarders conference later this month is taking place over 3 days (28-30 January). Participants are invited to deepen the conversation through the key themes:

REsilience // REinterpret // REimagine

I am seriously missing the intellectual stimulation of conference. A presented program of speakers all top of their fields, influencers in the professional communities. I’ve organised conferences, hosted events, spoken on stage, delivered workshops, anchored live-streams, live blogged and simply attended.

The pure attendance is so very elusive. I learnt in the early social media and networking days that you can’t be in 2 places at once. Experiences are left wanting.

I guest blogged I live tweeted as an interpretive channel. Take in a talk and listen for tweet-able gems. I’ve moderated hashtags and curated feeds. Reading the flow and filling the gaps again being an I interpretive channel.

Some speakers require your full attention. Some speakers need absorbing. Some speakers demand amplification. As an attendee you can not do both. I do not enjoy doing both as neither objective is accomplished effectively.

Walking that line of being present  on the ground and engagement in the cloud has fundamentally changed with the decimation of the professional events industry following the dawn of Covid.

I have had my interests in corporate hospitality events and the entertainment industry. I have sat the audiences of both. I have served both. I have been invited to talk. And all have been rewarding.

Now is a new time and a new dawn. No one has any less to say or share. It’s all digital now.

In 2014 my biggest livestream commission took me to Reykjavik

I was trying to market the extended audience concept and had returned it to a ferocious back burner with the heat of hope turned up high.

The Arts & Audiences extended audience experience session archive is still live, is still a vibrantly connected to its 2014 content as its is to you reviewing the legacy. http://www.audienceseurope.com/media-legacy-library.html

I want the attendee experience. The digital experience.

I have my first conference of 2021. Speakers I want to hear speak. Fellow attendees in theory feel the same. This combination is fire.

“#ACMC21 aims to provide an engaging space for students and emerging professionals to explore, question, and discuss what borders mean in today’s world, especially within the arts and culture field.”

It is from a post by networked connection and a conference speaker John Whall I discovered the conference in my LinkedIn feed. I will be blocking out my schedule saving on travel and accommodation but hoping to connect through the hashtag and selected conference platform while staying at home.

  1. Review the programme
  2. Identify ‘must be present for’ sessions
  3. Looking for the conference corridors / break out social opportunities
  4. Booking my ticket

Will there be conference corridors? I expect so, If not I may create one. At least for friend and network colleagues to come and meet. Hey, if the conference organisers read this they might ask me to create or host one.


I’m particularly interested in QUAD's Digital Participation Curator John Whall a close to home contact who I have not seen in a really long time and is a valued contact.

The conference is a joint initiative with The European Network on Cultural Management and Policy (ENCATC), aiming to foster innovative and necessary conversations with the theme of REvisiting Borders.  

It even has an Audience Europe Network essence  with several familiar names including Steven Hadley with Audience Agency, phenomenal speakers and practitioners. Steven’s Democracy of Audiences interest is particularly close to my heart.

The press released post shared by John thrilled even further as his presentation is wandering into the realm of VR too.

“Under the conference themes of REsilience, REinterpret and REimagine, John will be delving into virtual reality (VR) to deliver a practical presentation around ‘Participant-Led Engagement and the Reimagining of Exhibitions and Collections Using Immersive Technologies’. The session will be delivered in VR and demonstrate live research in how galleries and museums can work with community groups in changing how we create, see and show exhibitions using VR and AR (augmented reality). “

Quoting John the release added: “QUAD has been part of developing some exciting VR and AR content over the past few years. From exhibiting artist to partnerships with technology companies, my role in this time has involved exploring where communities and socially engaged arts practice can not only be a part of the processes involved, but also provide new creative opportunities for participants to create new work, as well as reimagine existing ones. The 2020 lockdown showed that there is a huge interest in showing and seeing exhibitions and collections in digital spaces, but what I’m really interested in is how those that visit those spaces can have an impact on them. ” 

So exited.

Visit the ACMC website for more information on attending the conference - http://acmconference.com/  


The 2021 ACMC is a joint initiative with ENCATC, aiming to foster innovative and necessary conversations with the theme of REvisiting Borders. #ACMC21 aims to provide an engaging space for students and emerging professionals to explore, question, and discuss what borders mean in today’s world, especially within the arts and culture field.

ACMC 2021 Full Schedule

From across the world selected speakers will deliver presentations, panel discussions, interactive workshops, poster presentations, artistic performances and networking sessions at ACMC 2021.

See the full event agenda https://secureservercdn.net/

Source Reference links



The Art of Reclaimed Time

A large part of wanting to be more mindful was to reduce the mindlessness. The time between the times I start reflecting on being mindful. The awareness of mindlessness was predominantly associate with mobile device activity and more specifically when scrolling through and checking notifications in Facebook, Twitter and Instagram. Over the years, I have been on social media since 2007 I have noticed I engage less and less. Since lockdown the mindlessness was becoming mind numbing. I craved coherent hashtags with dialog, insight and debate which often came with conference coverage. I was finding less and less I wanted to read.

Selecting Mindfulness was also an attempt to reactivate my attention span. Work life balance can’t be living what you do enough to merge it without reluctance into your leisure.

Time to craft and make is one think I wanted to find time for. Reading fiction and non fiction is another.

I have felt this weekend with the mindfulness during my working week the compulsion to create for the first time in a long time. I alway take material with me on holiday to prepare for craft time. Crochet and Circle Loom knitting are my handcrafts. I like to make hats and bags. Cost of materials and time just prevented me doing them. I have materials on hand but not for a big project. I need to know I have the time and mindset to make and complete a project. 
Then there is skill and practice. There is a refresh needed and an attention required. There are accommodations for Dyslexia too. Counting is difficult and a slower pace is usually necessity.
I have been swatching.

I have leant a new crochet technique.

Here are the swatches

This pattern led crochet is called Mosaic Crochet. I’ll be using the oddments of wool to practice before exploring colour and patterns 

My inspiration is series on YouTube.

Tinna Þórudóttir ÞorvaldarTextile artist and crochet designer from Iceland. Crochet, embroidery, yarnbombs and just all kinds of colorful happiness. All my links here:linktr.ee/Tinna

Challenging in a SafeSpace

Hi everyone,

I hope you are all well. I would like to challenge something, hope you will not mind. [states issue, outlines how they intend to resolve the issue on a personal level] ...and would like to ask you to do the same.

I always feel these forms should be confidential and anonymous and I don't want to share my personal data or receive data from other people. 

Thank you.

All the best to you all.


I received this email in response to one I was included in the sender list. It lightened my soul.

Having a voice and effectiveness to use it are very different.

In this instance it was a diversity survey for a small close team of creatives. The funding body required the survey be carried out.

It was sent as a list of questions via email and a few had begun responding using reply all.


Identity Sexual



Access Requirements

SafeSpace feedback

All vital company diversity data. Applications for work and large scale projects frequently ask candidates to complete an equal opportunities form. I was a little uncomfortable not because I’m not ashamed of who I am but it’s private and personal. My response was not in a reply all.

I was reassured by this response and thought it was the way to challenge a circumstance and nudge everyone to submit the info if the discomfort had prevented action until now.

Thank you. I love the way this was assertively approached. A lesson learnt.

Seemed a tangental blog post but one I wanted to share.

Producers Pool - Dates in the Diary pt1


Towards the end of 2019 I was introduced to the concept of the Portfolio Career and it was a mindset game changer.

2019 was also the year I asked myself, which I often do year on year, If I won the lottery what would I do? The answer has been the same for as long as I can remember. To fund and produce independent small scale theatre working with emerging artists and directors.

This time I accepted I’d probably never win the lottery but ya do want to do this.

I know my craft as a stagemanager, my digital learning and project experience has encompassed social media and associated productivity technologies, podcast audio recording and production, I can edit video.

Mobile live-streaming and virtual worlds. Audience and augmentation.

Technology and theatre.

Not for technology but for engaging immersive idea revealing, story driven theatre. Unusual productions in extraordinary spaces. A big part of the lottery dream is to have the money to fund it.

Then there is like-minded professional networking. Nothing is more aspirational than spending time talking,listening and strategically dreaming with fellow producers. All on differing trajectories in their own careers. A community of collaborators. A tribe of mentors.

Chris Grady hosts Producers Pool.

I was since 2018 forever attempting to synchronise my meetings in London at Equity or events by Cybersalon to draw a three card trick where I’d get to attend a Producers Pool, Equity meeting and a Cybersalon event. Trump card would be to fit in a theatre show too.

I would augment my attendance at event on occasion to showcase remote access potential. The immersion in ground based experience made the strategic split to include cloud based access hard to make happen when I was the on needing access and not providing the access which was the ultimate aim, to extend attendance.
The value and reward of cloud access was invisible to physical organisers. The concept appealed but in practice the management of the physical event was enough.

Blending Digital and Physical looked to be a pipe dream. Then came Covid. One of the first to embrace the opportunity to pivot to digital was Producers Pool. Hurrah!

So independent producers and theatre makers meeting monthly often with a influencing peer speaking currently happens online.

What do you have to offer?

What do you need?

This leads the momentum and mindfulness of conversations. 

What can I offer? Insights, experience and practice to pivot to digital. What do I need? The blending back to physical with gradually lowering balanced percentage extension option to attend either way and get the same influencer insights and networking dialogue.

I don’t ask much! Am I asking too much?

Monthly on the last Wednesday, until further notice starting January 27th if you are interested in joining Producers Pool find your way to the Facebook Group.

For the mindfully invested. 


The journey starts here www.chrisgrady.org/producers-pool
Producers' Pool (UK & International) - next meeting 4.30pm Wed 27th January

Self Reckoning and ... Green Screen


Blind anxiety comes accompanied by inpatient anger.

Anger at myself for being paralysed by my anxiety and rage at my mind for being consumed by the paralysis.

Trying to do the right thing in modern times is disturbingly perilous. We exist in a world of mixed cultural experience. We live in a diverse amalgam of what in the total sum of its parts gives life and society in the 21st Century its vibrancy and relevance.

But intersection of the lived experiences of others can be a pathway littered with fragility. Offence where none is intended in a mine field of cultural appropriation and inappropriate clover fields only cleared by critical thinking and mindful actions.

I stepped on a mine and the injury is to my psyche, my internal dialogue of regret, my reassurance that now I know better in contrast I’m left with the door closed and locked wondering if its just best to throw away the key.

Being at the start of a journey is daunting. Even if you enjoy the travelling the time before the time is inevitable.

There is on top of this the immediacy and confines of the digital experience. Seeing people, and being with people are very different. We are fooled that they are the same.

On our screens they are in our spaces. But they are in windows, glimpses. I do not like Zoom virtual background as I immediately know that the person is hiding their reality from me from the rest of the participants.They are choosing. 

Its ok to do that. 

The blurring of Skype and Jitsi background can provide focus while still being present in our environments. Whereby is simple presence.

I perhaps need to green screen my interactions as I realise I give too much of myself or my three dimensional reality. I assume everyone gives as I do.

Its a presumption I am to reflect on and dial back during my mindfulness adventure in 2021.