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What's in a Stage Manager’s digital tool box?

I have on occasion been referred to as Mary Poppins, one time when a friend was asked at a party I was also a guest at ‘You don’t happen to have, xxx do you? My friend replied, well I don’t but I expect CJ does! I opened my kit bag and yes I had a whistle! I was visiting friends in York at the time but a stage manager is never truly off duty! It’s deep in our psyche.

MaryPopins-Astonishment

The revelation of the whistle about my person prompted - wow you are like Mary Poppins. The word had got around! Yes, I can’t go anywhere without a tool kit and a myriad of items that one day might come in handy.

So what about my digital ‘carpet bag’? Before sharing what’s in it I think a definition of the structure of the ‘digital carpet bag’!

Working on the move the apps you use, how you connect to them and the smoothest transition from desk to devices is important. That is the toolkit for this article.

Continue reading "What's in a Stage Manager’s digital tool box?" »


BAFA article - Mobile Apps (article from the archive)

As I'm planning the 2015 live bit of BAFA's November conference in Lichfield I came across this article about some of the thinking behind the TEDx App created for TEDxLaceMarket and thought I'd share it with you, the PCM in Action blog readers. I'm really looking forward to the 2015 Conference for Festivals - MIND THE GAP on 11, 12, 13 November 2015 in Lichfield UK.

Its going to be a very small european wide live-stream going out to nine satellite venues. Its a micro cosmic Digital Audience Experience bloggers lounge and mini continuity studio all wrapped up in a neat Google+ Hangout package. So excited.


This was writing in Jan 2014 for a newsletter to BAFA members.

This article has been produced for BAFA by freelance digital projects manager and collaboration coordinator at PCMprojects & Cellar54, Caron Lyon. Caron has created professional social networks for Arts Council England, the Federation of Entertainment Unions and Audiences Europe. http://www.pcmcreative.com/social-media-consultation.html

TEDxLM 2012Making media, capturing content and engaging with it’s intended audience is the primary objective for the team at Cellar54 where Caron works closely with video blogger and brand advocate Phil Campbell. Together they work ‘on the ground’ to make the media you want for starting conversations and maintaining audience attention before, during and between/after a festival or event. They work closely with the in-house team to document planning and produce media for social networking distribution. Alternatively they can empower you through support and training to manage your own media and supplement it with Cellar54 media output created on your behalf. This is how Phil created the app created for our own event delivered under license from TED.com - TEDxLaceMarket.

Ever considered an app? Make it part of your social media. We can help you do this.

'Why we put an app together'

In 2012 Phil worked with Caron on an event in the heart of the Lace Market region of Nottingham.

Phil was assigned with putting together both an event guide and legacy application for the event that could give a listing of all the speakers before people arrived but then also gave them links to the videos for each speaker after the event.  

We came across a fantastic company appbaker that provides a lot of the layout especially for tedx style events all we needed to do was add our event content and branding to produce an application easily.

We bought an apple developer account package and working together with the company we were easily able to get our application into the app store.  We had limited time and zero budget to put together something across all platforms so we used this platform to have a go with minimum risk. It worked out ok!

AppBaker__build_native_cross_platform_mobile_apps_online__without_coding

Your crowd can be social

One of the things that really attracted us to the appbaker solution is they have a great add-on set of modules you can put inside the application that enables your audience to network with each other so if they met someone on the day you can find that person from a picture (or name) and contact them via their shared social digital channels.  A really nice touch to empower your audience outside of your event.

TEDxLM01

Releasing it to the wild

It was hard work to get everything ready in time.  It’s quite a lot of intensive work for a one person and can be made easier if you share the load with someone who is up to speed on the requirements of the graphics needed. You do have to have a number of different sizes for different devices so make sure you read the documentation and also remember that getting approval for the app store takes a bit of time as well. Once it’s up however making changes is online so the application will incorporate changes so you do not have to submit the app again unless you change something which runs via an add-on module.

Your app is a digital download gift

Always wondering what you can put in that newsletter or what your audience is expecting regarding information? Make your app a free digital download which can contain updates, news and exclusive content they cannot see anywhere else.  Being able to track the amount of downloads your application has had and how long they keep it installed is a lot more metrics that leaving a stack of leaflets on a side hoping that people are picking them up and reading them.

App as a legacy

The wonderful thing about having an application installed on a mobile phone from a previous audience member is that if we had paid for the added extras we would have been able to send push notifications to the audience member that had downloaded it to tell them about future events and updates.  They receive this message directly on their mobile phone’s home screen.  It’s a great way of reminding people especially if events are quarterly or yearly.

TEDxLM02

Working together

From working together organising the event, delivering the event and producing the social media we did realise that our collective offering was much more useful to sell on to clients.  We looked at the bigger picture and we often call on each others services anyway for elements of projects with out own clients.  This propelled us to pull together our talents under the Cellar54 umbrella.

Useful links and advice

Get in touch!


While I am focusing on DAEx Phil is focusing on his apiary.haus start-up

Thanks for Reading... do check out our latest projects.


Social Media for Stage Production

 TOP 10 platforms, tools and services essentials for your 2014-15 toolkit

previously posted on socialmediawomble blog - Aug 2014

SJPTheatreHandbook14-15frontcover

Last year I was asked to write an article for the 2014-15 publication of the Theatre Careers Handbook.
  • Discovering Digital
  • Pilot Theatre, Second Life and Live-streaming
  • Paper and Show Time 
  • Going Social - Media, Networking and associated Technology
  • Social Media
  • Social Networking
  • Social Technology

This article has been written for SJP by freelance digital projects manager and collaboration coordinator at PCMprojects, Caron Lyon. Caron has created professional social networks for Arts Council England, the Federation of Entertainment Unions and Audiences Europe. http://www.pcmcreative.com/social-media-consultation.html  
 
In 1994 I graduated as a Stage Manager from Bretton Hall gaining a Bachelor of Arts Degree in Theatre Crafts. A year later the course had been renamed to Theatre, Design & Technology. The course hadn't changed but the predominance of specialisms (lighting design, sound engineering) and the emergence of technology (computerisation, projection and automation) was to irrevocably change the skill set and necessary knowledge foundation demanded of production and technical teams with in the entertainment industry. Twenty Years later its 2014 and it’s the Stage Managers turn to advance and profit for the shifting change.
 
As a Stagemanager I worked throughout the UK in Sub Rep (Leicester, Sheffield & Chichester), Toured to No1 touring houses, arts centres, village halls and outdoor venues nationwide, spent a season at Butlins and several years in London Fringe performance spaces gaining experience as Stagemanager, DSM, ASM and production assistant. I operated lights, sound, called cues, acquired props, paged doors, assisted with costume changes and relit shows.
 
Analog has given way to digital. Bluetooth, Wireless, Wifi and Mobile are not only common place but getting 'smart'. Production's can be operated after being intricately programmed and increasingly automated to such an extent that manual involvement is the pressing of a button. Design, Creation and Operation are distinct roles. Human decision making, timing, planning, judgement are still the realm of stage management and the digital shift has taken place around them.
 
In 2002 I found myself needing to move sound effects to MiniDisc from a computer after downloading from the Internet. This began my journey, 'phono to USB' that was to lead me to discover Social Media, in awe of how pre production and rehearsal communication was going to benefit, how staying connected after a contract ended would become a firm reality. I could see props resourcing and production promotion changing forever. 
 
Discovering Digital
Producing paper props was my first encounter with IT using photoshop and paint packages in the late 90’s. I had been using an electronic typewriter and photocopier to write up and distribute rehearsal notes and company calls. The notice board and the pigeon hole post was ‘the’ most effective and accepted method of communication.
 
It wasn't Facebook and Twitter that excited me but Email then Dropbox, Evernote and Bambuser. The ability to share notes with out printing, being able to make changed with out re-printing, recording live and have a live reactive audience. I didn't get my first email address until 1996 social was along way off. Facebook and Twitter weren't in my tool set until 2007. I hadn’t sent my first instant message until 2006.
 
Pilot Theatre, Second Life and Live-streaming
 
After several years re-training as a web designer in order pursue a creative career and to make it possible for me to live at home. My heart always lay with theatre and performance, the internet opened up a new world of resources. For a short time I worked on an R&D project with Pilot Theatre as their Virtual Stagemanager in Second-Life exploring the capabilities of virtual exhibition space and a pre-production audience engagement arena. Facebook emerged on the scene as an audience engagement location. Not many of my colleges had even heard of Facebook. I was plunged in to Twitter after being presented with this online tool as a team communication tool, it was the digital water cooler for chatter, links, notes, messages and questions. I discovered a community of digital pioneers at ease with this new teamed up social interaction making me feel at the time I had missing the party invite and was playing catch up. 
 
I now realise its like that for everyone when social media makes it on to their radar. Social Media has exploded in to society's consciousness and has quickly produces a generation with no memory of a world before the web and even more recent a generation with no memory of a world before Facebook. That has happened not in my lifetime (I’m 40) but in 20yrs, that's just half of my life time. How long before there is no generation with a living memory of a world without the internet?
 
2014 is set to be dominated by 'the Internet of Things', affordable 3D printing is on the verge of becoming the next big phenomenon yet for many in the theatre industry the age of social media is still a baffling trend many hope will disappear as a fashion fade.
 
The influence of Social Media on stage production is its use to communicate, inform, record and document. In pre and post production social media platforms, tools and services excel. Theatre is a collaborative process. Theatre people especially the production creatives including StageManagers are inherently good at 'social'. Communication is a key talent. The pre Facebook generation are at ease with the tools they need to do their job, up skilling and adapting with necessity. 
 
QUOTE - Peter Hall
"Perhaps, therefore, ideal stage managers not only need to be calm and meticulous professionals who know their craft, but masochists who feel pride in rising above impossible odds." 
 
Paper and Show Time 
As the Peter Hall quote eludes Stagemanagers need to be calm and meticulous professionals. This also means in this connected digital world being confident that the infrastructure is reliably operational. A clipboard and paper will never run out off power. Multiple copies can be cheaply reproduced and positioned at locations of choice. Only transfer to powered devises with the certainly you will always have access and enough battery remaining.
 
Quote - Marcus Romer
"Don’t add technology to the way you do things, Change the way you do things when you know what the technology can do"
 
Going Social - Media, Networking and associated Technology
 
Many production areas and career professionals in theatre can benefit from the application of the many social strands available online. 
 
Here are the 7 I work to develop with organisations and industry professionals. It is vital to acknowledge the bigger picture.
  1. Industry Connections and Job Seeking
  2. Company Management & Coordination
  3. Staying informed
  4. Career Development
  5. Promotions and Funding
  6. Measuring relevance and influence
  7. Production Collaboration 
The greatest hurdle to adopting digital working is the access to compatible technology, reliable internet connectivity and an accepted set of platforms with best practice procedures to gain access in place. Stagemanager, Company or Production Manager can be at the heart of this digital nexus adopting a digital toolkit, embedding process, documenting and determining accepted best practice and taking the the collaborative lead.
 
Social Media mastery is a career skill asset.
 
TOP 10 platforms, tools and services essentials for your 2014 toolkit
Social Media
Photos, Audio, Video, Text shared via links posted to media specific platforms
 
Instagram is a fun and quirky way to share your life and work with digital platforms through a series of pictures. Snap a photo with your mobile phone, then choose a filter to transform the image, tag it and post it. The team at Instagram imagine a world more connected through photos. 
 
AudioBoo - http://audioboo.fm
Audioboo is a tool for audio producers to record, upload and share audio. The Audioboo team believe in the power of the spoken word to inspire, inform and connect people across the globe.
 
A ‘boo' is made up of any clip of audio, a picture, a location, a title and a description. Broadcasters, Newspapers, Sports networks, Podcasters, Educators and Community Organisations all use ‘boos' to increase audience reach. They can easily share audio on Facebook, Twitter and other platforms, embed playlists onto their sites as listen again players. Audioboo also have a highly active and engaged visually impaired community for whom the platform functions as a social network.
 
Bambuser - http://bambuser.com 
Bambuser is a simple-to-use live video streaming service that allows users to quickly and easily capture, share and watch live video broadcast from mobile phones or computers. Bambuser also enables instant sharing to the world's favorite social networks including Facebook, Twitter, Tumblr, and many more 
 
 
Social Networking
Establishing, maintaining and developing opportunities via online platforms
 
Facebook - www.facebook.com
Facebook's mission is to give people the power to share and make the world more open & connected. 
 
LinkedIn is the world's largest professional network with 225 million members in over 200 countries and territories around the globe. Their mission is simple: connect the world's professionals to make them more productive and successful. When you join LinkedIn, you get access to people, jobs, news, updates, and insights that help you be great at what you do. 
 
Twitter helps you create and share ideas and information instantly, without barriers.
 
Forums and Industry site members areas are also an excellent source of networking for sharing best practice, advise and job vacancies.
 
Social Technology
Tools and Applications available providing connectivity for the whole company to a central data resource enabling real time notifications and updating of common documents. (production schedules, rehearsal notes, setting lists, cue sheets, research, company calls etc)
 
Dropbox - www.dropbox.com
Dropbox is a free service that lets you bring your photos, docs, and videos from anywhere and share them easily. Dropbox was founded in 2007 by two MIT students tired of emailing files to themselves while working from more than one computer. Today, more than 200 million people use Dropbox to always have their stuff at hand, share with family and friends, and work on team projects.
 
Evernote - www.evernote.com 
Evernote’s goal is to help the world remember everything, communicate effectively and get things done. From saving thoughts and ideas to preserving experiences to working efficiently with others, Evernote’s collection of apps make it easy to stay organized and productive.
 
Google Drive - http://drive.google.com
Google Drive lets you store up to 15GB of your stuff for free, access them from anywhere, and collaborate with others. 
 
GroupMe is the best way to chat with everyone you in your company or working on your production. It's absolutely free, whether you're talking to a department, or texting with one person. Best of all, it works on nearly every phone, via push or SMS. With GroupMe, it's easy to reach anyone, anytime, anywhere. 
 
For further insights into developing your toolkit and skill set register for PCM & SJP associated workshops and surgeries planned for 2014-15. http://bit.ly/sjppcm14
 
 
 

BassBuds - The Sound of Fashion.

I need a new set of headphones. A set came with my iPhone but they never stay in my ears. They alway feel as if they will fall out at any moment. There are 2 reasons I use headphones. One, is to privately listen to music and the other is to isolate sound while listening to playback audio during recording or for later when editing video or audio podcasts. Oh and a third, I have a 'pillow speaker' this lays beneath my pillow with my ear placed over it I can listen to late night Radio 4 and World Service without disturbing my partner who is an astonishingly light sleeper.

In the post came my BassBuds and a request to write a review. First impressions… Oooo pretty. Sapphire blue and silver with cut crystals in the backs of the ear buds. Integrated mic for hands-free but in reality I always feel a bit silly using hands free and I never seem to be able to hear the caller. Anti-tangle cable, now that has an appeal. 

I must confess I'm not a follower of fashion trends I prefer my own style. Carefully selected accessories and colour accent appeals to me though. Purple resonates with me so too do blues and teals.

Basebuds-classic-colours-range

Classic Collection BassBuds - "Your colour, your style"

2012-11-22 00.58.44Mine are blue (left) and I've grown quite fond of them. The embedded crystals are a stylish touch, the question is however as ear phones what are they like?

How does music sound using them?

I have worked with professional audio engineers and I have been instructed to listen to sound through pro standard closed can headphones and the reproduction is markedly superior to a domestic end products. 

These are in-ear and as I mentioned at the start they never stay in. The only sets I have came with devises they were intended for. The first ones for personal stereos could only sound as good as the devise was capable of producing. With a devise producing good audio I can distinguish between base and treble accents. Clear sound, rich sound, muted, dull, tinny and balanced are terms I understand.

Swoping between headphones I can identify depth of sound and reproduction quality depending of course on the quality of the output source.

Advanced Crystaltronics Sound Technology? As technical specifications go BassBuds sadly seems to follow a 'now for the science bit' advertisement.

But... I have to reiterate the products tagline,

BaseBuds - "Your colour, your style"

these are a fashion accessory a personal statement. In this approaching age of the quantified-self every element can be customised, every one can be an individual. Brand identity and affiliation are important in our tribal social society. BassBuds are part of you, reflecting your chromatic resonance.

 

IMG_3259I mentioned that in-ear head phones never stay in my ears. Included in the box are 3 sets of earbuds in 3 sizes; small, medium and large in black memory some, clear and black silicone buds. Small clear silicone are just the trick.

Are you going to check them out? - www.bassbuds.co.uk

Are you looking for a new set of in-ear phones?

Use this code BB38466 for £5 off

Disclosure: I received a set of BassBuds in exchange for publishing this post

PS! a pet hate of mine, the misuse of QR opportunity. Never send a QR code scan to a standard home page especially if it's not mobile friendly. Engagement, up sell, Facebook like, twitter follow, instruction manual or best of all a secret special offer. The options are numerous.