Edinburgh Festival Feed

#EdFringe2022 - Can't be there - webcast show

Let’s look at the Edinburgh Fringe

Streaming to YouTube, Twitch & on Facebook LIVE to the PCM projects FB Page. From the StreamYard studio I can see your comments across the digital landscape. Pick your platform.

I’m looking for guests for future web and podcasts. 7 EdFringe streams scheduled but will be following the fringe with Series 5 of my Lunchtime Livestream show starting Sept 1st.

Please comment, post your questions or just shout a hello.

Ep.01 - Show LINK on YouTube (recorded LIVE 12th Aug 12.30 UK time)

Ep01 - Get with the programme

Live look at the Edinburgh Fringe programme and planning in the face of no app to help you this year. As well as chat, musings, digital meandering and virtual dreams from me Caron Lyon. Literally looking at the Edinburgh Fringe programme. Its rabbit hole time. A will share my tip and trick to help you find a path to maximise your EdFringe experience.
 
Ep.02 - Show LINK on YouTube (recorded LIVE 12th Aug 14.30 UK time)
Ep02 - with Joe Strickland
 
With 2 shows at this years Edinburgh Festival Fringe we will look back at the Chronic Insanity journey and find out what nuggets of wisdom Joe Strickland can share. Twice in one day! Live look at the Edinburgh Fringe. Conversation with Artistic Director of Nottingham based Chronic Insanity Theatre. Chat, musings, digital meandering data and immersive futures. Caron's guest is Joe Strickland.
 
Chronic Insanity show at #EdFringe2022
 
With the streams its my aim to help you find a path to maximise your EdFringe experience. Or understand a little more about the behemoth  that is the annual Edinburgh Fringe Festival. The biggest but not the only fringe festival. It is my ambition to take a show or be present as part of the official programme in 2023. How and whats involve to where I might be if I do take part is still quite overwhelming. These shows are a way for me to focus my fear and talk to those who are living the dream.
 
I've been to the fringe a couple of times. I loved each experience. I want to share how I managed and hear from performers and producers about what makes the Edinburgh Fringe so special.
 
Its an excuse to make media too. I do love a livestream. N.O.T.E No Opportunity To Edit!
 
Check out my podcast to - West Park Park Bench Podcast - https://anchor.fm/pcmcreative
 
WestParkParkBench-promo
 
 

Restarting My Blogging Journey

Hey everyone, Thank you to those who check back and remind me I need to blog again.

It's been a while since I last sat down to write a blog post, so here I am to announce that I'm restarting my blogging journey! Typepad has always been a special place for me to share my thoughts, experiences, and the stuff happening in the world around me and going forward, the theatre and staged productions I’m involved with. And of course the amazing artists I’m humbled to be supporting as I stand up and be counted as a Producer! 

Today, I want to share ‘Producers Pool’. https://www.chrisgrady.org/producers-pool/ 

Producers' Pool June Gathering

We were on Zoom for the Producers' Pool June online gathering. For those who may not be familiar, Producers' Pool is a fantastic community of producers who come together to share ideas as well as give advice and support to one another. This month’s meeting was packed with insightful discussions.

The highlight was Chris Grady's preview of the ‘Producer Persona’ , a bespoke developed managed database system. Simple and Strong. This platform is designed to help producers connect more efficiently, making the often daunting task of finding the right collaborators much simpler.

Producers can sign up at https://www.producerspersona.com  

Check out my profile and the platforms elegant yet simple style

240627 - TYPEPAD - Producers Persona

Non-Player Character at the Edinburgh Fringe

On a personal note, I am beyond excited to share that last year's Can’t Be There, Be Here is on hiatus! Why excited? Because instead I am supporting as producers and company manager, Brendan Bradley and his Virtual Reality one man musical Non Player Character and we are heading to the Edinburgh Fringe this year! This virtual reality musical has been a labour of love for its core team Brendan, Maurice and Michael and I can't wait to open at Yotel Edinburgh for a 24 show run on Aug 2nd. During the Producers' Pool meeting, we discussed some of the technical aspects and promotional strategies for the show, including inviting fringe artists and cast groups to ‘Come Play’ which we hope will generate buzz and attract press attention for both shows.

 

Building My Online Presence

As I prepare for the marathon that is the Edinburgh Fringe, I'm also focusing on building back up my online presence. Blogging will be a key part of this journey, allowing me to document my experiences and connect with a wider audience for when the show programmes a 2025 UK tour. But, I need your help!

Growing My Readership

Here are a few ways you can help me grow my readership and spread the word about Non Player Character:

  1. Subscribe and Share: If you enjoy my posts, please subscribe to the blog and share it with your friends and networks. Word of mouth is incredibly powerful!
  2. Engage with My Content: Leave comments, ask questions, and share your thoughts. The more interaction we have, the more visible the blog becomes.
  3. Follow Me on Social Media: Stay updated by following me on Twitter, Instagram, and Linkedin. I’ll be posting regular updates, behind-the-scenes content, and more.
  4. Join the Conversation: Use the hashtag #NPCmusical when talking about the show online. Let's get the conversation started and create a buzz!
  5. Collaborate: If you're a blogger, podcaster, or content creator, let’s collaborate! Guest posts, interviews, and cross-promotions are great ways to reach new audiences.

Thank you for your continued support. I am so excited to share this journey with you and look forward to connecting with new friends along the way. Here’s to the exciting times ahead!

Until next time, Caron


Investment in 50 - coming of age at last!

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There has been a pause in my blogging over the last week to portion out time to complete a finished version of my diploma module to prepare a first attempt at an investment pack to finance a stage show. Mine has been a long time back burner project. It’s the reason PCM is part of my online persona. There is a wind of change on the horizon and it’s exciting times.

Assignment submitted and birthday celebrated. I’m mid way through a diploma in Creative Producing. 16 weeks including a 2wk study break… and Christmas. My horizons are widening. I will need people in this new horizon. The next 2 assignments are envisioning for purposeful target marketing and storytelling, then company structure and good team structures.

Here is my opening section.

Concept orientation

To produce and commission new and fresh live 30 minute productions for new audiences emerging around immersive staged experiences such as Secret Cinema, War of the Worlds and Dr Who Fractured Time, and new global audiences who remotely attend film festivals featuring dedicated VR films. Festivals award categories for VR and 360 as well as interactive experiences and VR short films at Expanded BFI 2021, Expanded Vienna 2021 and Canada’s FIVARS VR film festivals.

LLF Expanded BFI - British Film Festival

Labiennale - Venice VR Expanded

Festival of International Virtual and Augmented Reality Stories
February 21st – February 28th 2022 (Online)

The productions will explore relationships and augmentation into the ‘real life’ of the burgeoning metaverse - encouraging discussion, examination and participation with the company, challenging the audience's perception of where the frontier of digital, physical and meta virtual dissect.

Before the financial breakdown, info about the stage play there is this. The story is becoming clearer and the financials are solid

This investment prospects is the foundation of my vision setting out a realistic beginning. A play produced on an ITC influenced agreement and physical mid-small scale ambition, opening at the Edinburgh Fringe Festival in 2023 designed and directed to then tour to sizeable black box theatre studios and village halls from Dervaig on the Isle of Mull to The People Theatre in Newcastle upon Tyne and Bristol Old Vic’s Weston Studio.

Its gradual evolution though my DYCP exploration’s will take it from extended on-stage production space with a fourth wall and traditional seated audience to later include a dual presence digital and meta virtual experience realising an immersive ‘public house Snug meets park promenade’ experience, delivering culture from the comfort of A couch, Your couch, and beyond!

The audience concept has its roots in 2012 producing TEDx LaceMarket.

So this (pic below) within an immersive wrapper…

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CC Chapman speaking at TEDxLaceMarket -

 


Edinburgh Fringe - Gather for iMelania

Gather… Melania is the next show in town. This was signposted for me by Imitating The Dog who as a theatre company Explore the boundaries between theatre and technology. A recommendation from these guys certainly got my attention.

 

IMelania_-_Summerhall__Edinburgh

Continue reading "Edinburgh Fringe - Gather for iMelania" »


Edinburgh Fringe LIVE(streamed) from New York City - Planet of the Grapes

POTA-thumb

Planet of the Grapes - A retelling of the film classic Planet of the Apes. Yes! Following on for my Twitter request for shows. (Blog Post PT1) Planet of the Grapes performer Peter Michael Marino https://twitter.com/blackoutpete signposted his show to me. It was akin to walking down the Edinburgh Royal Mile picking up leaflets for shows to select.

It's not about finding shows, the annual fringe program is jammed packed. What to chose? picking up a flyer is a way to narrow the field. Yesterday's tweet did just that.

POTA

Live digital theatre with an after-show chit chat. It was a delight to go backstage and meet Peter. Get a guided tour of the stage to see behind the scenes, as well glimpse into the performers green room! Such magnetic personalities ;)

Corking performances, Grape acting… and wonderful imagination. A treat for those who are well versed in the original film and a few treats for those who have read the book.

I loved the pre-show arrival with live mini ghost light with the Livestream scrolling ticker and audience noise. The mini interval was complete with a grape pianist. It was digital bijou. I loved it. It had for me the spirit of fringe in buckets. The close-up and personal of the tabletop stage leaning well into the digital medium where you’d not get that view in a physical venue. It made me want to see puppet theatre again.

Peter is a master at playing with that sense of scale. It was wonderful.

Thank you Peter for sharing with me your process. Your aspirations for the future of the show and the 'what went to plan' and the 'things that didn’t' making the liveness so magical. And is a perfect example of digital theatre.

Continue reading "Edinburgh Fringe LIVE(streamed) from New York City - Planet of the Grapes" »


It started with a tweet

This morning I Tweeted... Recommendation for a digital theatre, online live performance or immersive #XR remote access experience to attend this weekend or next week, please. @CITheatre @ImitatingtheDog @KillTheCatCo Other digital innovating tweeters welcomed. #DYCP

First, stop https://electricmedway.co.uk/about/

I attended Chronic Insanity Theatre’s Puncture the Screen festival during the first week of my holiday on the Isle of Mull at the end of July. The holiday location is super remote. I love it. Attending a festival of super interest to me combining the 2. I loved it. A mixture of on-demand pieces, performance, workshops and live expert panels was just what I needed to truly be rested and reset for when I returned home.

This is my first Saturday home and I have vowed to make Saturdays culturally enriching. Seeing shows, reading books and checking out VR, XR and immersive experiences.

Replying to @pcmcreative

@ImitatingtheDog We have Means of Production on at  @ElectricMedway

and There’s Something Among Us on at @ththeatrespace at the moment :) plus loads of other work from throughout the year on our website.

First show of the day. It feels like my own mini-festival! There’s Something Among Us by Chronic Insanity Theatre

https://electricmedway.co.uk/events-2021/means-of-production-by-chronic-insanity-theatre/

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There is a commitment to a piece of digital theatre. It is not a piece of scrolled to content. Just as you actively attend a venue so your activity navigates to the digital theatre piece be live or on-demand. The holding page is the digital foyer. The copy on screen the programme. If it is a paid experience this is also the box office.

For my first piece, 4 factory workers in a split-screen setup a-la securing cam stacking where I was an observer asked to review the footage that led to an incident.

“Based on the conditions in a number of smartphone factories around the world, Means of Production blurs the line between digital theatre and found footage, asking questions about corporate behemoths, global supply chains, and the murky ethics behind the 21st century’s need for new technology.”

A poignant monologue to the camera makes this most certainly theatre. Conscious of its 4th wall and in a suitably digital setting used that device to share its message.

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At Chronic Insanity’s Puncture the Screen Festival https://bit.ly/citheatre-pts a platform Glitch.me was used to deliver the interactive story THE NEXT BEST THING by Emily Holyoake. Here it is again. As I emirs myself in the audience experience of immersive theatre, immersive performance and extended experience its platforms, access and set up expectations on the audience member are of deep interest as I contemplate this especial as part of my own practice since being awarded a CYPD grant from the Arts Council to develop my own immersive extended experience work.

Below the 2D digital experience was this

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My first multi-screen extended digital theatre experience.

https://meansofproduction.glitch.me/

Following the prompts to configure 4 devised and place them at cardinal points around me East, South, West and North as the primary device the split-screen security monitor stacked surveillance footage surrounded me.

How here is the experience bearing in mind it was my first time and you will have your first time with these kinds of experiences. I would have needed a 3 set up to get it working seamlessly and I’d seen the 2D performance and enjoyed it. Not wanting to make the attendance of the performance about the fumbling with my tech I let it go. I know there will be another opportunity perhaps even from Chronic Insanity. I love this frontier.

So… I confess I struggled to get set up after 2 attempts. The simple instruction was perhaps a little too simple and wasn’t entirely clear to me. I worked it out. I decided to save the figuring it out for the next piece offering this extended experience.

My issues?

  1. The extending devices being my iMac, two iPads and my iPhone the control screen landing pages were not responsive so they didn’t fit on my devices. I fumbled to get the buttons. iPads OK, iMac no probs, iPhone no responsive adaptation problematic. Next time I will use a second laptop. Once the piece began the video sizing was fine.
  2. The primary device buffered making the sync affecting the other 3 devised which worked great. I wonder is that may have been my wifi as I wasn’t on a hard wire.
  3. There wasn’t a single audio feed and as I was listening on headphones I couldn’t get audio from 4 devices into one set of headphones.
  4. The first time round I didn’t see the room code generated for me.

 

From my Tweet, I had several recommendations.

A second suggestion from Chronic Insanity Theatre “Something Among Us” on at @ththeatrespace

https://www.tickettailor.com/events/chronicinsanity/483337

‘HEAR. SPEAK. SEE.’ a new immersive, digital drama by an all-female absurdist theatre company from EXPiAL ATROCiOUS @ExpiAtro An #EdFringe digital, on-demand and filmed in first-person POV (point of view) show.

https://tickets.edfringe.com/whats-on/hear-speak-see

A dance piece "The Story of the Tower" with chroma-key tech and projection-mapping originally streamed live from Tokyo during the closing ceremony of the Olympic Games which was on-demand at the Edinburgh Fringe shared by @comitu

https://tickets.edfringe.com/whats-on/story-of-the-tower

and from Imitating The Dog “I, Melania” on the program of @Summerhallery festival (Summerhall, a vibrant cultural village in the heart of Edinburgh. A place where things happen, all kinds of interesting, wonderful and downright inspiring things.) and I quote “totally brilliant” from @paulavarjack & @ChuckBlueLowry

An extension to the Edinburgh Fringe it seems. I love the EdFringe.

I, Melina being a live experience next showing on Tuesday 24 Aug at 7:30 PM - 8:30 pm taking place in GatherTown. How cool is that!

https://www.summerhall.co.uk/sh-event/imelania/2021-08-24/

So it looks like I’m off to Edinburgh with my consciousness if not my physical body.

I, Melina next Tuesday. Anyone want to join me after in a PCM video chat room let me know. Happy to accommodate the ‘in the bar’ experience!

Chronic Insanity Theatre “Something Among Us” programmed at Thornhill Theatre Space 𝘈 𝘋𝘪𝘨𝘪𝘵𝘢𝘭 𝘗𝘭𝘢𝘵𝘧𝘰𝘳𝘮 𝘧𝘰𝘳 𝘎𝘭𝘰𝘣𝘢𝘭 𝘛𝘩𝘦𝘢𝘵𝘳𝘦 

My request for digital shows took me on a wonderful trip. Before covid I struggled to locate digital work I knew it was out there but I couldn’t find it. Now it’s like the Edinburgh Fringe every day! Overwhelm Overload excess of choice, a digital kid in a virtual candy store!

The final recommendation of the day is another EdFringe  - PLANET OF THE GRAPES - LIVE FROM NYC is a programmed live event tomorrow.

https://www.planetgrapeshow.com/

6 shows.

There is a world of digital wonder out there. So much digital augmenting talent.


Equity@Edinburgh 2009: Your voice, Your chance

Equity@EdinburghEquity is in Edinburgh from Aug 24 - 29...The Facebook group

The most important session for practitioners to influence their sector is on 27/08/09 Working in Independent Theatre – the Essentials - 1400-1600 Free (ticketed) at Festival Theatre, 13-19 Nicholson Street (venue 244).


Sadly it will be the least well attended. Social Media has no visibility in the ITC (Independent Theatre Council) contract or the Fringe contract at present I would like to see that change.

For example
  • Enabling audiences to share and promote our productions with targeted material.
  • Payments for Live Streamed performances.
  • Guidelines to protect copyright using more flexible CC creative commons licenses
  • Guidelines for online conduct within social media for company members

Please find time to fit this one in your diary. You do not have to be an equity member or working or ever worked on an ITC contract. Come and share your concerns, experiences and needs for a theatre contract for digital age.

I will be there.
Caron

Equity@Edinburgh - pt 2

Equity@Edinburgh

With the workshop completed I had a clear head to take in some shows. The amount of shows available is some what over whelming. It’s never going to be possible to see every show you want to see especially when like me you only have 3 days. So I took the flash card approach. When I arrived at the Festival last night the Edinburgh program awaited me on my bed. The Fringe program is divided in to sections Children's Shows, Comedy, Dance & Physical Theatre, Events, Exhibitions, Music, Musicals & Opera and Theatre. The sections I focused on was Theatre and Dance & Physical Theatre. Plays and Shows with multimedia, visual and auditory spectacle, experiences. I then skim read those sections, marking with a star the ones that caught my eye and marked with 2 stars the ones I definitely had to see. Last year (my first visit to the Fringe) I discovered Social Media theatre seeing MySpace the musical. This year I found productions telling cautionary tales of the evolving on line world, the absurdity of the working world and how converging technology injects humor and surreal abstraction to daily life. Reflecting on the modern world theatre is a powerful and as relevant medium for social commentary as it ever was. Politically dogmatic plays synonymous with the fringe movements roots in the 60’s and 70’s have given way to the observation of the changing world. May be my interest in IT makes those shows stand out.

I decided to experiment with the N95 media phone, QIK, Flixwagon and live streaming. I love the notion of maintaining a dynamic fresh web presence using services and tool that free the blogger from the desktop PC, live bogging… doing stuff rather that I did stuff. Here are the “to camera” pieces I did daily to capture for myself and invite viewers to my join my journey. I am no film maker and hate appearing in camera so its also a cathartic process of pushing past the discomfort I feel doing them. Not sure I will ever get over it but the ends justify the means. It’s a great way to engage and being such a visual person I want to show and share.


Equity@Edinburgh - pt 1

During the second week of 2008’s Edinburgh Fringe Festival two members of Equity staff, Louise Grainger and Matt Clarke plus two Equity members, Peter Warnock and Me, Caron Lyon championed the trade union running workshops and a daily drop-in centre under the Equity@Edinburgh banner. We also saw around 30 shows and talked to performers and production staff during our week.

My primary purpose for me being selected by the Equity Independent Theatre Arts Committee was to deliver a workshop “Social Media, Networking and making the web work for you”. Peter delivered the Voice workshops "Make your voice heard" and due to popular demand a second voice workshop was added.There was also "Speed Networking", "How to get ahead in acting", "Movement for actors", "How to get ahead as a theatre director" and "Equity - What's it all about?" More than 150 people took part in the workshops and many made use of the free advice available in the drop in zone.

It has been my ambition since withdrawing from full time stagemanagement and becoming a web designer to be in a position to pass on the astonishing findings of Social Media development over the past few years and help creatives make the web work for them in an industry where money is so tight. My approach to Web 2.0 and Social Media enables solo practitioners and small companies to develop rich dynamic, easy to maintain and control web presences at little financial cost.

My workshop lasted 2 hrs at The Roman Eagle Lodge and was attended by around 25 delegates. The session content was divided in to 3 sections recapping as the workshop progressed. I covered a lot of ground introducing them to many new sites and services. The aim of all the presentations I have done over the past few months is to ignite creative thinking around how these services and sites can be used to Get Noticed, Get Connected, and Get Work.

Two services featured as practical demonstrations with the audience using their mobile phones to experience social media in action. I like a bit of hands-on stuff.

SpinVox, a voice to text service enabling voice to text updates for Blogs, Social Networks, memos to email and mass voice to text message distribution called Blasting. Try it they provide a nifty demo. Call this number 0845 040 6699 follow the instructions, leave a short voice message and in a short time, normally less that a minute it pops up as in inbound text message. Brilliant. Signing up for the service is easy too, and…. FREE. Hurrah.

The other live demo was with Swarm, a private mass texting platform for team communication, little trickier to explain but potentially very powerful for company communication and audience engagement. Check it out.

Take a look at the workshops structure. Here is the Slide Show embedded from Slideshare an on line archive of slideshow presentation.

Through out my time in Edinburgh I used QIK to stream video content to the web ready for embedding in to my blog posts on my return. I demoed this to the delegates too. Here they are!


Unlimited Theatre

Edinburgh and beyond

I first blogged about Unlimited Theatre in my article Whirlwind Edinburgh pt 4. Well mentioned really. All I had time to do was embed a YouTube video, include a link to the Edinburgh Festival online program and a link to their website. Jon Spooner the Artistic Director and the Unlimited Theatre company are producing some fantastic work and his performed presentation about Quantum Physics, superpositioning and teleportation. Genius. Take a look at their YouTube archive and go see them. I can't wait for them to come to Nottingham one day. Or I'll track them down in Edinburgh this year. This YouTube collection gives you a glimpse in to the astonishing concepts Unlimited are tackling to make ground breaking and engaging theatre... The Ethic of Progress.


Facebook People Power

Image001_3Happy New Year! Or not so happy if you're working for one of the nearly 200 regularly funded organisations who were told just before Christmas that their funding was going to be withdrawn from April 2008.

Equity have organised a meeting on Wednesday 9th January, 11 am, at the Young Vic which Peter Hewitt, Chief Executive of Arts Council England, will attend to explain the underlying rationale of the proposed cuts and to hear from Equity members what disquiet their proposals are causing. Read article in The Stage

I guess part of the reason behind this meeting - and what makes it worthwhile - is that the decisions haven't been absolutely taken and it seems that those who create enough of a (public) fuss might possibly be saved from the chop when ACE finally decides at the end of Jan.

Amongst those proposed for a total or major grant withdrawal are London Bubble, Exeter Northcott, Yvonne Arnaud, Pop-Up Theatre, Drill Hall, National Student Drama Festival, Interchange Legal Studios, Brighton's Komedia, 3 chamber orchestras and Eastern Angles.

There's no full list anywhere, but various publications are collecting the info they receive from companies, so you could look at http://www.thestage.co.uk for news or at http://www.artsprofessional.co.uk

I have collected many Save our Theatre Facebook groups.

Links to them all are in the Saving Theatre in the UK meta facebook group. http://www.facebook.com/group.php?gid=6587973954

Links are included for Theatres, Funding cuts objections and other related arts fund cuts and causes.

Many have links to petitions and surveys to document support for these enterprises. Check them out and show your support. Especially if you aren't in London to attend the meeting.

And finally... tell people to about this meta group. Saving Theatre in the UK http://www.facebook.com/group.php?gid=6587973954