Arts & Cultural Management Conference: Revisiting Boarders conference later this month is taking place over 3 days (28-30 January). Participants are invited to deepen the conversation through the key themes:
REsilience // REinterpret // REimagine
I am seriously missing the intellectual stimulation of conference. A presented program of speakers all top of their fields, influencers in the professional communities. I’ve organised conferences, hosted events, spoken on stage, delivered workshops, anchored live-streams, live blogged and simply attended.
The pure attendance is so very elusive. I learnt in the early social media and networking days that you can’t be in 2 places at once. Experiences are left wanting.
I guest blogged I live tweeted as an interpretive channel. Take in a talk and listen for tweet-able gems. I’ve moderated hashtags and curated feeds. Reading the flow and filling the gaps again being an I interpretive channel.
Some speakers require your full attention. Some speakers need absorbing. Some speakers demand amplification. As an attendee you can not do both. I do not enjoy doing both as neither objective is accomplished effectively.
Walking that line of being present on the ground and engagement in the cloud has fundamentally changed with the decimation of the professional events industry following the dawn of Covid.
I have had my interests in corporate hospitality events and the entertainment industry. I have sat the audiences of both. I have served both. I have been invited to talk. And all have been rewarding.
Now is a new time and a new dawn. No one has any less to say or share. It’s all digital now.
In 2014 my biggest livestream commission took me to Reykjavik
I was trying to market the extended audience concept and had returned it to a ferocious back burner with the heat of hope turned up high.
The Arts & Audiences extended audience experience session archive is still live, is still a vibrantly connected to its 2014 content as its is to you reviewing the legacy. http://www.audienceseurope.com/media-legacy-library.html
I want the attendee experience. The digital experience.
I have my first conference of 2021. Speakers I want to hear speak. Fellow attendees in theory feel the same. This combination is fire.
“#ACMC21 aims to provide an engaging space for students and emerging professionals to explore, question, and discuss what borders mean in today’s world, especially within the arts and culture field.”
It is from a post by networked connection and a conference speaker John Whall I discovered the conference in my LinkedIn feed. I will be blocking out my schedule saving on travel and accommodation but hoping to connect through the hashtag and selected conference platform while staying at home.
- Review the programme
- Identify ‘must be present for’ sessions
- Looking for the conference corridors / break out social opportunities
- Booking my ticket
Will there be conference corridors? I expect so, If not I may create one. At least for friend and network colleagues to come and meet. Hey, if the conference organisers read this they might ask me to create or host one.
I’m particularly interested in QUAD's Digital Participation Curator John Whall a close to home contact who I have not seen in a really long time and is a valued contact.
The conference is a joint initiative with The European Network on Cultural Management and Policy (ENCATC), aiming to foster innovative and necessary conversations with the theme of REvisiting Borders.
It even has an Audience Europe Network essence with several familiar names including Steven Hadley with Audience Agency, phenomenal speakers and practitioners. Steven’s Democracy of Audiences interest is particularly close to my heart.
The press released post shared by John thrilled even further as his presentation is wandering into the realm of VR too.
“Under the conference themes of REsilience, REinterpret and REimagine, John will be delving into virtual reality (VR) to deliver a practical presentation around ‘Participant-Led Engagement and the Reimagining of Exhibitions and Collections Using Immersive Technologies’. The session will be delivered in VR and demonstrate live research in how galleries and museums can work with community groups in changing how we create, see and show exhibitions using VR and AR (augmented reality). “
Quoting John the release added: “QUAD has been part of developing some exciting VR and AR content over the past few years. From exhibiting artist to partnerships with technology companies, my role in this time has involved exploring where communities and socially engaged arts practice can not only be a part of the processes involved, but also provide new creative opportunities for participants to create new work, as well as reimagine existing ones. The 2020 lockdown showed that there is a huge interest in showing and seeing exhibitions and collections in digital spaces, but what I’m really interested in is how those that visit those spaces can have an impact on them. ”
Visit the ACMC website for more information on attending the conference - http://acmconference.com/
The 2021 ACMC is a joint initiative with ENCATC, aiming to foster innovative and necessary conversations with the theme of REvisiting Borders. #ACMC21 aims to provide an engaging space for students and emerging professionals to explore, question, and discuss what borders mean in today’s world, especially within the arts and culture field.
ACMC 2021 Full Schedule
From across the world selected speakers will deliver presentations, panel discussions, interactive workshops, poster presentations, artistic performances and networking sessions at ACMC 2021.
See the full event agenda https://secureservercdn.net/22.214.171.124/y3y.e66.myftpupload.com/wp-content/uploads/2021/01/ACMC-2021-Agenda.pdf
Source Reference links